Chickadees in Stick Season

Between leaf season and snow season comes what Vermonters call stick season, when the landscape is reduced to endless vistas of bare trunks and branches, all in shades of gray. The skies are mostly gray, too, as are the squirrels and the rabbits. The chipmunks in their little orange coats would add some color, but they disappeared weeks ago into their hygge holes. 

The birds that, like me, scorn to flee Vermont winters for places like Florida, also wear basic gray, enhanced with bits of white, black, and slate blue. The only spot of bright color outside my window is the red dot on the back of the head of the hairy woodpecker, and on his smaller cousin, the downy. 

I’ve been watching chickadees feed, and worrying about how they keep body and soul together. They swoop to the feeder, pick up a single sunflower seed, and dash off to a tree that, in chickadee terms, is the equivalent of a hundred miles away. There, clamping the seed onto the branch with their claws, they attack it with the force of a miniature jackhammer. When they are done with that seed, they shoot back to the feeder, get another seed, zoom to a distant perch, and repeat the process. 

How many calories are in a single sunflower seed--two? And how many calories does a chickadee use in those mad dashes to and from the feeder, plus all that hammering to break the shell? If I had to travel as far and work as hard for every morsel of food I would be a living skeleton—or more likely a dead one. 

(Nuthatches, I’m told, can’t grasp a seed with their feet, so instead they jam it into a crevice in the tree bark to hold it steady while they go at it with their beak.) 

I put a heater in the bird bath to keep it from freezing, and, after two years of ignoring it, the birds have fallen in love with it.  But again, as with feeding, drinking looks like more trouble than it’s worth. A chickadee lands on the edge of the bath, looks up for hawks and owls, looks down for snakes and cats, fluffs its feathers, peers right, then left. Takes a sip. Looks down, looks up, fluffs feathers, etc. Takes sip, then whooshes off. Again, how much water can that teensy beak hold? Three molecules? 

With the exception of certain squirrels, all the small critters outside my window seem to live with endless panic in their breasties. Like Robert Burns, who empathized so tenderly with the plight of a field mouse, I worry about what it must be like to live in a constant state of fear. Do the field mice and the titmice ever feel safe enough to relax? Or are they under constant stress, wondering when, if ever, it’s o.k. to venture out of their homes? 

Maybe the reason that I’m thinking so much about the stress levels of these tiny folk is that I, along with most of humanity, am also feeling endangered this autumn. Like the chickadees and their fellows, I think twice before leaving my place of safety, save my outings for food shopping, and don’t congregate in flocks. Peering nervously through my mask-fogged glasses as I push my cart down the aisle, I keep to myself, alert to invisible dangers. I do not linger at the checkout counter, but dash back to the house with my little bag of sustenance, there to eat in safety. 

I remember from Catholic school that reassuring phrase about God (Goddess/Ground of Being/The Universe) being somehow aware, and caring, about every sparrow (chickadee/nuthatch/titmouse) that falls. My hope in this bleak season is that She or He is mindful of those little birds, and of me and mine as well.

 

My Brain, My Gut, and Sister Mary Ruth

My brain, my gut, and Sister Mary Ruth--my high school English teacher--reacted to the news of Trump's Covid infection:

Gut: Gasps, adrenaline surge, animal excitement. 

Brain: This could be the equivalent of the Clinton emails! 

Gut: But what if Trump gets really sick/dies and the Proud Boys decide that it’s the Democrats’ fault?! (Fight/flight response sets in). 

Brain: Serves Trump right that he got sick. 

Sister Mary Ruth: Do unto others as you would have them do unto you. 

Brain: This could be the road to the first woman president!

Gut: Torrents of adrenaline flood system. Heart rate up. Feeling as if could—no, must—run a mile. Not an unpleasant sensation. 

Sister Mary Ruth, warningly: Ahem! 

Brain: Whiff of shame followed by twinge of conscience. 

Gut: Pulse rate down. Desire to run mile vanishes. 

Brain: But he KNEW that Hope Hicks had the virus and he STILL attended the fund raiser. He deserves what’s coming to him! 

Sister Mary Ruth, wags finger: That’s enough, now. 

Gut: Slight feelings of fatigue, or maybe indigestion. Also strange wired sensation, despite no additional coffee. 

Brain: Would be wise to close laptop. Maybe take nap? 

Gut: Must check updates. Trump cancels call with governors! Pence says Trump “just fine”! Should sic Sister Mary Ruth on VP, for telling fibs. 

Mind: Speaking of which, what if whole thing is another one of Trump's lies? 

Gut: Heart rate up again. Throat constricted. Nap? As if. 

Sister Mary Ruth , quoting Saint Teresa: “Let nothing disturb you, let nothing frighten you…all things are passing…God alone is sufficient.” 

Writing Prompt

 One listless afternoon last week , I sat in the sun room thinking that I would never have anything else to write about. The Covid claustration had lasted almost as long as a pregnancy, and as happens with pregnancy my focus had turned progressively inward, until the external world had all but ceased to exist. Of course the external world is still around, but it is either off limits because of the virus risks, or so alarming and depressing (fires, floods, shootings, politics), that I simply shut it out. 

No, there really was nothing to write about, and probably would never be. This was it: the well had run dry; I had sung my swan song. I was deep into a fantasy of life as a non-writer when my dog Bisou burst into the outraged bark that she reserves for the fox: “out of my yard, you weird-looking dog!” I had been missing the fox’s visits, which had grown rarer now that the spring’s young were on their own, so I got up to take a look. 

There, just a couple of feet from the house and facing away from me was an odd-looking creature, larger than a squirrel but smaller than a fox. The back of its big ears was white rimmed with black. Its fur was tawny, its belly plump, its legs short, its tail stumpy. It was clearly an infant. But whose? 

OMG, I should be taking  photos! My phone was in the room somewhere, but like the apostles on Mount Tabor, I couldn’t bear to take my eyes off the apparition.  I whispered to my spouse to come look. What could it be?

Then the little animal turned to face us and its white cheek tufts gave it away. As did its ultra-fierce, non-cuddly demeanor, its look that said, come near me and I’ll bite off your arm…or maybe your fingertip. And having delivered this threat, it toddled off into the undergrowth. 

Where, I hope, the mother bobcat found it, gave it a good scolding (“you are NOT old enough to hunt squirrels, you hear?”) and took it home. 

I haven’t seen any more bobcats, big or little, since that day, though a near neighbor tells me she has seen what I hope is the mother. But that infant on the prowl has been constantly on my mind. Sometimes I think I’ve dreamed him (or her). And a dozen times every day I look out the sun room windows, just in case he's come back (as if). 

I feel grateful to Nature for sending me this writing prompt just in the nick of time, and for reminding me that the writer’s most important tool is neither intelligence nor inspiration, but the ability to pay attention. Colette wrote that her mother's greatest gift to her, what made her the writer she became, was the single word, "Regarde!" Everything starts with that.

An Herb For Our Time

Three years ago, on Mother’s Day, I received a terracotta planter filled with annuals in bloom. In the fall, after the first frost, I ripped out the dead plants and stowed the pot in the garage. One January morning, as I got into the car, I noticed a few green shoots peeking out of the pot, stretching with all their might towards the pallid light that seeped through the narrow window of the automatic door. I sympathized with them but didn’t think they had much hope—surely the next cold snap, let alone two more months of darkness, would do them in.

But the little sprouts persevered. Their leggy stems got longer, and a few more leaves appeared, still reaching desperately towards the window. In the spring, when I put it outside, the plant breathed a sigh of relief, plumed its feathers, and filled the pot with new shoots. It celebrated the solstice by bursting into sprays of lavender-colored blooms. The bees and the butterflies found it, and were well pleased.

When a friend told me that the plant was hyssop, I was astonished. Until then, the only mention of hyssop I’d come across was in church, during Mass. “Asperges me, Domine, hyssopo et mundabor” the priest would intone, which the translation in my missal rendered as “Sprinkle me with hyssop, Lord, and I shall be cleansed.” Now the herb used by the Jews for millennia and later adopted by Christianity was growing in my pot, its leaves pungent and anise-scented, its flowers a bonanza to flying things.

My hyssop has survived two winters in the garage. This summer I am treating it with special reverence, watching out for its needs and wants. I have offered it an extra helping of potting soil, and I am alert to the slightest droop of its arrow-shaped leaves, which tend to sag in the heat. But the plant is as grateful as it is demanding. It may look in extremis in the afternoon, but it reacts to my evening drenching with an optimistic, upward thrust of its entire being. It is as resilient as I would like to be.

It's still high summer but, to my apprehensive eye, the days are noticeably shorter. The killing frost is a mere couple of months away.  When that comes, I will stow away the porch chairs and drag the big pot, with its cropped head of hyssop, back into the shadows of the garage--and I will retreat indoors, to the cat, the afghan, and the fireplace.

From all indications the coming winter will be long and dark. Unlike in past years, when I mostly ignored the hibernating hyssop, this time I will keep an anxious eye on it, to see if it is still putting out green shoots, and still stretching towards the light.

Hermits

The hermit thrush alone is a good reason to live in Vermont.  All by himself, this little brown bird with the speckled breast makes up for the cold, dark winters, the messy mud seasons, and the spotty wi-fi coverage.

He comes by his name honestly. He declines to visit feeders, but stays hidden in the woods where, during the nesting season, he decants a pure, cool, silvery rill of sound. I live too much in my head to notice a lot of what Nature, like a street vendor setting out her wares, puts out for my delight. I can pass a lilac in full splendor with barely a glance, but the song of the hermit thrush stops me in my tracks. When he sings, I have to stand and hear him to the end, or I would feel like I was walking out in the middle of a recital.

Although he shies from applause, there is nothing timid or self deprecating about his performance: he sings with the aplomb of a seasoned performer. I wonder what a young hermit’s first song is like--is the timing off, are there false notes, or does it emerge from him as faultless and elegant as that of his father in his prime? As I have never heard a thrush miss a note, I suspect that they are all born musical prodigies.

This has been a good summer for hermits. The thrushes sing late into the morning, take a short break, and resume well before the sun goes down. The virus-imposed stillness in my life has made it easier for me to pay attention. At sunrise and sunset I come out of my own hermitage and listen to the invisible singer pour out his melody from the shelter of the woods.

Whenever I hear the thrush, my grasping, non-Zen self immediately pleads “don’t stop. Keep going. Encore!” And I waste the last clear perfect notes thinking that  the solstice is already behind us, and all too soon he will head south, and the woods will return to silence. But isn’t the very fact that he’s not around all year, that he shuns my feeders, that he stays hidden in his woodland cloister what makes him so precious? If I heard him in all seasons, would I still listen?

From all indications, the coming winter will be an especially dark one. Like the chipmunks, I will retreat from porch and yard and go to earth in my cottage, to sleep and snack and endure as best I can. I will be grateful for every cheeping titmouse and chickadee that visits my feeder while I await the little brown singer’s return. I will think of him scratching for insects in the leaf litter of some southern wood, but saving his song for the love season in Vermont, and for his fellow hermit, me.

Barbering the Jade Plant

Remember Miss Piggy, who never ate anything she couldn’t lift? Although I like the jungly feeling that I get from being dwarfed by my houseplants, I apply Miss P’s standard to them—I won’t keep a plant that I can’t lift.

I have an ancient jade plant that has spent its life putting out one plump, thumb-shaped leaf after another, its stems thickening and lengthening until they draped over the sides of the pot, like an obese sort of ivy. I am a parsimonious waterer, especially of succulents, but over the years I had poured countless gallons of water into that plant, and most of that water was stored in those fat stems, those turgid leaves. The monster was nearly three feet across, and its branches hung so far down that I couldn’t set it on a table, but had to use a plant stand.

Yesterday I moved the jade plant from the bedroom to the sun room.  I had to carry it at arm’s length to avoid breaking off any branches, and by the time we reached our destination my arms were shaking. (Later I asked my spouse to weigh the plant: 25 pounds—heavier than Bisou, even though it was in a light-as-air plastic pot.)

I saw right away that it was taking up too much room, crowding my beloved red and pink cordyline on the right, and the equally beloved giant peace lily on the left. I considered  moving one of the rattan arm chairs out of the room, but there is no space anywhere in the cottage for an extra chair.

There was nothing for it but to prune the jade plant. I got my small pruning shears and a two-gallon bucket and went to work on those overgrown branches. They snapped with a satisfying pop, and I threw them into the bucket. When I was only a third of the way through the pruning, the bucket was full. Leaves and stems flew everywhere as I kept turning the pot, lopping off more branches. Was there no end to this plant?

There was. When the last drooping branch was off, my plant was transformed. Gone was the unkempt Medusa look, the disconsolate stems, the leaves which, despite my conscientious misting, had accumulated layers of dust. Instead, here was a perky, young-looking plant, its every stem pointing optimistically towards the sky. Where leaves and branches had crowded and choked each other, there was now plenty of what painters call negative space, into which the soon-to-come breezes of spring could waft unimpeded. The plant looked and seemed to feel the way I used to look and feel after an excellent haircut.

I gave the jade plant an extra thorough misting and left the room, the pruners still in my hand. Passing by the hall mirror I caught sight of my hair, which drooped down to my collar bones, forlorn, disheveled, and crying out for a trim. I looked down at the pruners ….

Zero-Sum Game

Remember those stories, from what seems like a century ago, about dolphins swimming in the canals of Venice? I fell for them, even though they were absurd. Why would dolphins want to enter those narrow canals when they have the entire Adriatic to disport themselves in?

But the reason that so many of us fell for the story is that it corroborates the consoling idea that Nature, given half a chance, immediately begins to recover. In fact, many cities are seeing cleaner air as a result of stay-at-home rules. Here in Vermont, with traffic noise drastically reduced, I’ve never heard so much bird song. It’s an anything but silent spring.

While coyotes roam the empty streets of San Francisco and Chicago, around our cottage the foxes are flourishing. Yesterday evening I watched one kill a squirrel right under our bird feeder, and head up the hill to his den across the road. I told myself that his wife and four children would eat a good dinner, but the violence of the killing, although it was over in seconds, stayed with me.

I stood at the sink washing my hands for the umpteenth time and repeating my hand-washing metta: may all beings be safe, may all beings be healthy, may all beings be content, may all beings live with ease. But for whose safety and contentment was I praying, the fox’s or the squirrel’s? I couldn’t have both: if the squirrel is safe, the fox goes hungry; for the fox to live with ease, the squirrel must die. And it doesn’t stop there: when the squirrel eats the acorn, the future oak perishes. When the fox dies, its flesh melts into the earth and feeds the tree.

Everything comes at a cost. The clean air of the city is paid for by the cab drivers with no fares, and by the mountains of packaging materials overflowing the dumps. In factory farms across the country, thousands of pigs are being reprieved, while the workers who would have butchered and processed them at the now-closed Smithfield plant in South Dakota sicken and grow poorer by the day.

Is there no way out of this zero-sum game? Not, I think, as long as there are so many of us on this earth. And even if by some miracle all the visions of Margaret Sanger, Bill McKibben, Al Gore, and Rachel Carson were to come true at once, death would still be the necessary condition of life.

But to be human means, almost by definition, living with the illusion that we are exempt from the turning of the wheel. In our frantic culture, normal life allows us to maintain that illusion. But in this spring’s eerie silence (except for the birds), distractions are harder to come by.

And so between watching the fox on the prowl, and worrying about the sick and the unemployed, I strive to accustom myself to the image of my flesh dissolving and my molecules gently dispersing for the benefit and nourishment of something or someone. Does this seem morbid and medieval? I don’t think it is. Rather, I suspect that getting comfortable with this vision is where true ease and contentment lie.